
© Andrea Sarti
Venice Biennale 2014: Monditalia
The physical presence of the Arsenale is interpreted as an ideal set. Rather than a sequence of individual episodes that typically do not connect to form a single narrative, we propose to dedicate the Arsenale to a single theme (Italy) and to mobilize other sectors of la Biennale di Venezia (Cinema, Dance, Music, and Theater) to collectively contribute to a comprehensive portrait of the host country.






















































2015
2014
Monditalia Movies
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![Lo specchio di Diana, Yervant Gianikian and Angela Ricci Lucchi, Tripoli, 1996]()
![Lo specchio di Diana, Yervant Gianikian and Angela Ricci Lucchi, Tripoli, 1996]()
![Lion of the desert, Moustapha Akkad, Libyan desert, 1981]()
![Lion of the desert, Moustapha Akkad, Libyan desert, 1981]()
![Respiro, Emanuele Crialese, lampedusa, 2002]()
![Respiro, Emanuele Crialese, lampedusa, 2002]()
![Stromboli, Roberto Rossellini, Stromboli, 1950]()
![Stromboli, Roberto Rossellini, Stromboli, 1950]()
![Lamerica, Gianni Amelio, Mediterranean, 1994]()
![Lamerica, Gianni Amelio, Mediterranean, 1994]()
![Lettere dal Sahara, Vittorio de Seta, Lampedusa, 2006]()
![Lettere dal Sahara, Vittorio de Seta, Lampedusa, 2006]()
![Antigone, Jean Marie Straub and Danièle Huillet, Siracusa, 1992]()
![Antigone, Jean Marie Straub and Danièle Huillet, Siracusa, 1992]()
![L'Avventura, Michelangelo Antonioni, Schisina, Messina, 1960]()
![L'Avventura, Michelangelo Antonioni, Schisina, Messina, 1960]()
![Sicilia!, Jean-marie Straub and Danièle Huillet, Villa San Giovanni, Reggio Calabria, 1999]()
![Sicilia!, Jean-marie Straub and Danièle Huillet, Villa San Giovanni, Reggio Calabria, 1999]()
![Lo zio di Brooklyn, Daniele Ciprì and Franco Maresco, Palermo, 1995]()
![Lo zio di Brooklyn, Daniele Ciprì and Franco Maresco, Palermo, 1995]()
![Le Mépris, Jean-Luc Godard, Capri, 1963]()
![Le Mépris, Jean-Luc Godard, Capri, 1963]()
![Nostra Signora dei Turchi, Carmelo Bene, Otranto, Lecce, 1968]()
![Nostra Signora dei Turchi, Carmelo Bene, Otranto, Lecce, 1968]()
![Viaggio in Italia, Roberto Rossellini, Pompeii, 1954]()
![Viaggio in Italia, Roberto Rossellini, Pompeii, 1954]()
![Le occasioni di Rosa, Salvatore Piscicelli, Napoli, 1981]()
![Le occasioni di Rosa, Salvatore Piscicelli, Napoli, 1981]()
![Lucky Luciano, Francesco Rosi, Pompeii, 1973]()
![Lucky Luciano, Francesco Rosi, Pompeii, 1973]()
![Le Mépris, Jean-Luc Godard, Capri, 1963]()
![Le Mépris, Jean-Luc Godard, Capri, 1963]()
![Banditi a Orgosolo, Vittorio de Seta, Supramonte, 1961]()
![Banditi a Orgosolo, Vittorio de Seta, Supramonte, 1961]()
![Padre Padrone, Paolo e Vittorio Taviani, Sardinia, 1977]()
![Padre Padrone, Paolo e Vittorio Taviani, Sardinia, 1977]()
![Chiedo Asilo, Marco Ferreri, Sassari, 1979]()
![Chiedo Asilo, Marco Ferreri, Sassari, 1979]()
![Il deserto rosso, Michelangelo Antonioni, Island of Budelli, Archipelago of la Maddalena, 1964]()
![Il deserto rosso, Michelangelo Antonioni, Island of Budelli, Archipelago of la Maddalena, 1964]()
![Bellissima, Luchino Visconti, Rome, 1951]()
![Bellissima, Luchino Visconti, Rome, 1951]()
![Un été brûlant, Philippe Garrel, Rome, 2011]()
![Un été brûlant, Philippe Garrel, Rome, 2011]()
![L'onorevole Angelina, Luigi Zampa, Roma, 1947]()
![L'onorevole Angelina, Luigi Zampa, Roma, 1947]()
![Il tetto, Vittorio De Sica, Roma, 1956]()
![Il tetto, Vittorio De Sica, Roma, 1956]()
![La terra vista dalla Luna, Pier Paolo Pasolini, Roma, 1967]()
![La terra vista dalla Luna, Pier Paolo Pasolini, Roma, 1967]()
![La decima vittima, Elio Petri, Rome, 1965]()
![La decima vittima, Elio Petri, Rome, 1965]()
![Nostalghia, Andrei Tarkovsky, Rome, 1983]()
![Nostalghia, Andrei Tarkovsky, Rome, 1983]()
![Roma, Federico Fellini, Rome, 1972]()
![Roma, Federico Fellini, Rome, 1972]()
![Dov'è la libertà, Roberto Rossellini, Rome, 1954]()
![Dov'è la libertà, Roberto Rossellini, Rome, 1954]()
![Caro diario, Nanni Moretti, Rome, 1993]()
![Caro diario, Nanni Moretti, Rome, 1993]()
![Il Vangelo secondo Matteo, Pier Paolo Pasolini, Matera, 1964]()
![Il Vangelo secondo Matteo, Pier Paolo Pasolini, Matera, 1964]()
![Non si sevizia un paperino, Lucio Fulci, L'Aquila, 1972]()
![Non si sevizia un paperino, Lucio Fulci, L'Aquila, 1972]()
![Landscape in the mist, Theo Angelopoulos, Monte Petrano, 1988]()
![Landscape in the mist, Theo Angelopoulos, Monte Petrano, 1988]()
![Assisi Underground, Alexander Ramati, Assisi, 1984]()
![Assisi Underground, Alexander Ramati, Assisi, 1984]()
![Io ballo da sola, Bernardo Bertolucci, Siena, 1996]()
![Io ballo da sola, Bernardo Bertolucci, Siena, 1996]()
![Il Cristo proibito, Curzio Malaparte, the Siena hills, 1951]()
![Il Cristo proibito, Curzio Malaparte, the Siena hills, 1951]()
![Paisà, Roberto Rossellini, Firenze, 1946]()
![Paisà, Roberto Rossellini, Firenze, 1946]()
![La sindrome di Stendhal, Dario Argento, Firenze, 1996]()
![La sindrome di Stendhal, Dario Argento, Firenze, 1996]()
![Souvenir d'Italie, Antonio Pietrangeli, Firenze, 1957]()
![Souvenir d'Italie, Antonio Pietrangeli, Firenze, 1957]()
![Sapore di mare, Carlo Vanzina, Forte dei Marmi, 1983]()
![Sapore di mare, Carlo Vanzina, Forte dei Marmi, 1983]()
![Amici miei, Mario Monicelli, Firenze, 1975]()
![Amici miei, Mario Monicelli, Firenze, 1975]()
![La viaccia, Mauro Bolognini, Firenze, 1961]()
![La viaccia, Mauro Bolognini, Firenze, 1961]()
![L'età di Cosimo, Roberto Rossellini, Firenze, 1973]()
![L'età di Cosimo, Roberto Rossellini, Firenze, 1973]()
![Non ci resta che piangere, Massimo Troisi and Roberto Benigni, Lucca countryside, 1984]()
![Non ci resta che piangere, Massimo Troisi and Roberto Benigni, Lucca countryside, 1984]()
![Una vita difficile, Dino Risi, Viareggio, 1961]()
![Una vita difficile, Dino Risi, Viareggio, 1961]()
![8 ½, Federico Fellini, Montecatini and Chianciano terme]()
![8 ½, Federico Fellini, Montecatini and Chianciano terme]()
![La prima notte di quiete, Valerio Zurlini, Riccione, 1972]()
![La prima notte di quiete, Valerio Zurlini, Riccione, 1972]()
![Sabato italiano, Luciano Manuzzi, Riccione, 1992]()
![Sabato italiano, Luciano Manuzzi, Riccione, 1992]()
![L'ombrellone, Dino Risi, Rimini, 1965]()
![L'ombrellone, Dino Risi, Rimini, 1965]()
![Non pensarci, Gianni Zanasi, Rimini, 2007]()
![Non pensarci, Gianni Zanasi, Rimini, 2007]()
![Paz!, Renato de Maria, Bologna, 2002]()
![Paz!, Renato de Maria, Bologna, 2002]()
![La Cina è vicina, Marco Bellocchio, Bologna, 1967]()
![La Cina è vicina, Marco Bellocchio, Bologna, 1967]()
![La bella di Lodi, Mario Missiroli, the Lodi countryside, 1963]()
![La bella di Lodi, Mario Missiroli, the Lodi countryside, 1963]()
![Il deserto rosso, Michelangelo Antonioni, Ravenna, 1964]()
![Il deserto rosso, Michelangelo Antonioni, Ravenna, 1964]()
![Il pianeta azzurro, Franco Piavoli, Val Bruna, 1982]()
![Il pianeta azzurro, Franco Piavoli, Val Bruna, 1982]()
![Il grido, Michelangelo Antonioni, the Ferrara countryside, 1957]()
![Il grido, Michelangelo Antonioni, the Ferrara countryside, 1957]()
![Don Camillo, Julien Duvivier, Reggio Emilia, 1952]()
![Don Camillo, Julien Duvivier, Reggio Emilia, 1952]()
![Novecento, Bernardo Bertolucci, the Emilia countryside, 1976]()
![Novecento, Bernardo Bertolucci, the Emilia countryside, 1976]()
![La polizia incrimina, la legge assolve, Enzo G. castellani, Genova, 1973]()
![La polizia incrimina, la legge assolve, Enzo G. castellani, Genova, 1973]()
![Achtung! Banditi!, Carlo Lizzani, Genova's hinterland, 1951]()
![Achtung! Banditi!, Carlo Lizzani, Genova's hinterland, 1951]()
![Riso Amaro, Giuseppe De Santis, the Vercelli countryside, 1949]()
![Riso Amaro, Giuseppe De Santis, the Vercelli countryside, 1949]()
![Profondo rosso, Dario Argento, Torino, 1975]()
![Profondo rosso, Dario Argento, Torino, 1975]()
![The Italian Job, Peter Collinson, Torino, 1969]()
![The Italian Job, Peter Collinson, Torino, 1969]()
![Mimì metallurgico ferito nell'onore, Lina Wertmüller, Torino, 1972]()
![Mimì metallurgico ferito nell'onore, Lina Wertmüller, Torino, 1972]()
![Lundi matin, Otar Iosseliani, Venezia, 2002]()
![Lundi matin, Otar Iosseliani, Venezia, 2002]()
![In girum imus nocte et consumimur igni, Guy Debord, Venezia, 1978]()
![In girum imus nocte et consumimur igni, Guy Debord, Venezia, 1978]()
![Don Giovanni, Joseph Losey, Vicenza, 1979]()
![Don Giovanni, Joseph Losey, Vicenza, 1979]()
![Le vacanze intelligenti, Alberto Sordi, Venezia, 1978]()
![Le vacanze intelligenti, Alberto Sordi, Venezia, 1978]()
![Il posto, Ermanno Olmi, Milano, 1961]()
![Il posto, Ermanno Olmi, Milano, 1961]()
![Delitto d'amore, Luigi Comencini, Milano, 1974]()
![Delitto d'amore, Luigi Comencini, Milano, 1974]()
![Gli uomini che mascalzoni, Mario Camerini, Milano, 1932]()
![Gli uomini che mascalzoni, Mario Camerini, Milano, 1932]()
![Miracolo a Milano, Vittorio De Sica, Milano, 1951]()
![Miracolo a Milano, Vittorio De Sica, Milano, 1951]()
![Milano calibro 9, Fernando Di Leo, Milano, 1972]()
![Milano calibro 9, Fernando Di Leo, Milano, 1972]()
![Eccezzziunale…veramente, Carlo Vanzina, Milano, 1982]()
![Eccezzziunale…veramente, Carlo Vanzina, Milano, 1982]()
![Romanzo popolare, Mario Monicelli, Milano, 1974]()
![Romanzo popolare, Mario Monicelli, Milano, 1974]()
![I fidanzati, Ermanno Olmi, Milano, 1963]()
![I fidanzati, Ermanno Olmi, Milano, 1963]()
![Rocco e i suoi fratelli, Luchino Visconti, Milano, 1960]()
![Rocco e i suoi fratelli, Luchino Visconti, Milano, 1960]()
![L'albero degli zoccoli, Ermanno Olmi, the Bergamo countryside, 1978]()
![L'albero degli zoccoli, Ermanno Olmi, the Bergamo countryside, 1978]()
![Bianco rosso e verdone, Carlo Verdone, Brennero, 1981]()
![Bianco rosso e verdone, Carlo Verdone, Brennero, 1981]()
![La naissance de l'amour, Philippe Garrel, Moncenisio, 1993]()
![La naissance de l'amour, Philippe Garrel, Moncenisio, 1993]()
![Inferno, Giuseppe Berardi and Arturo Busnengo, Alps, 1911]()
![Inferno, Giuseppe Berardi and Arturo Busnengo, Alps, 1911]()
![Su tutte le vette è pace, Yervant Gianikian and Angela Ricci Lucchi, Monte pasubio, 1999]()
![Su tutte le vette è pace, Yervant Gianikian and Angela Ricci Lucchi, Monte pasubio, 1999]()
Monditalia Contributors
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![DAAR (Alessandro Petti, Sandi Hilal, Eyal Weizman), Italian Ghosts, 32° 06’ 19’’ N / 20° 04’ 48’’ E]()
![DAAR (Alessandro Petti, Sandi Hilal, Eyal Weizman), Italian Ghosts, 32° 06’ 19’’ N / 20° 04’ 48’’ E]()
![Giacomo Cantoni and Pietro Pagliaro, Post-Frontier, 34° 39’ 05’’ N / 18° 40’ 36’’ E]()
![Giacomo Cantoni and Pietro Pagliaro, Post-Frontier, 34° 39’ 05’’ N / 18° 40’ 36’’ E]()
![Ana Dana Beroš, Intermundia, 35° 29’ 57’’ N / 12° 36’ 18’’ E]()
![Ana Dana Beroš, Intermundia, 35° 29’ 57’’ N / 12° 36’ 18’’ E]()
![XML, Theaters of Democracy, 37° 04’ 28’’ N / 15° 16’ 44’’ E]()
![XML, Theaters of Democracy, 37° 04’ 28’’ N / 15° 16’ 44’’ E]()
![Antonio Ottomanelli with IRA-C, Parasite2.0, The Third Island ‘64 ‘94 ‘14, 38° 26’ 29’’ N / 15° 54’ 01’’ E]()
![Antonio Ottomanelli with IRA-C, Parasite2.0, The Third Island ‘64 ‘94 ‘14, 38° 26’ 29’’ N / 15° 54’ 01’’ E]()
![Martino Stierli, The Architecture of Hedonism – Three Villas on the Isle of Capri, 40° 33’ 02’’ N / 14° 14’ 26’’ E]()
![Martino Stierli, The Architecture of Hedonism – Three Villas on the Isle of Capri, 40° 33’ 02’’ N / 14° 14’ 26’’ E]()
![Lucia Allais and MOS, Legible Pompeii, 40° 45’ 6’’ N / 14° 28’ 53’’ E]()
![Lucia Allais and MOS, Legible Pompeii, 40° 45’ 6’’ N / 14° 28’ 53’’ E]()
![Beatriz Preciado, Pompeii, the Secret Museum and the Sexopolitical Foundations of the Modern European Metropolis, 40° 45’ 06’’ N / 14° 28’ 53’’ E]()
![Beatriz Preciado, Pompeii, the Secret Museum and the Sexopolitical Foundations of the Modern European Metropolis, 40° 45’ 06’’ N / 14° 28’ 53’’ E]()
![William McLean and Niklas Maak, Antonioni’s Villa, 41° 3’ 22’’ N / 8° 56’ 52’’ E]()
![William McLean and Niklas Maak, Antonioni’s Villa, 41° 3’ 22’’ N / 8° 56’ 52’’ E]()
![Ila Bêka & Louise Lemoine with an Interview to Stefano Boeri, La Maddalena, 41° 12’ 53’’ N / 09° 24’ 21’’ E]()
![Ila Bêka & Louise Lemoine with an Interview to Stefano Boeri, La Maddalena, 41° 12’ 53’’ N / 09° 24’ 21’’ E]()
![Ignacio G. Galán, Cinecittà Occupata, 41° 51’ 07’’ N / 12° 34’ 31’’ E]()
![Ignacio G. Galán, Cinecittà Occupata, 41° 51’ 07’’ N / 12° 34’ 31’’ E]()
![Space Caviar (Joseph Grima, Tamar Shafrir, Martina Muzi, Giulia Finazzi, Simone Niquille, Andrea Bagnato with Alicia Ongay-Perez), 99 Dom-Ino, 41° 52’ 38’’ N / 12° 34’ 34’’ E]()
![Space Caviar (Joseph Grima, Tamar Shafrir, Martina Muzi, Giulia Finazzi, Simone Niquille, Andrea Bagnato with Alicia Ongay-Perez), 99 Dom-Ino, 41° 52’ 38’’ N / 12° 34’ 34’’ E]()
![Stefano Graziani, A Minor History within the Memories of a National Heritage, 41° 53’ 09’’ N / 12° 28’ 35’’ E]()
![Stefano Graziani, A Minor History within the Memories of a National Heritage, 41° 53’ 09’’ N / 12° 28’ 35’’ E]()
![Teresa Cos, All Roads Lead to Rome. Yes, But Where Exactly?, 41° 53’ 36’’ N / 12° 28’ 58’’ E]()
![Teresa Cos, All Roads Lead to Rome. Yes, But Where Exactly?, 41° 53’ 36’’ N / 12° 28’ 58’’ E]()
![stARTT, Rome - San Giacomo Hospital. The Ghost Block of Giambattista Nolli, 41° 54’ 27’’ N / 12° 28’ 39’’ E]()
![stARTT, Rome - San Giacomo Hospital. The Ghost Block of Giambattista Nolli, 41° 54’ 27’’ N / 12° 28’ 39’’ E]()
![Andrea Sarti and Claudia Faraone, L’Aquila’s Post-Quake Landscapes (2009-2014), 42° 21’ 05’’ N / 13° 23’ 56’’ E]()
![Andrea Sarti and Claudia Faraone, L’Aquila’s Post-Quake Landscapes (2009-2014), 42° 21’ 05’’ N / 13° 23’ 56’’ E]()
![AMO, Assisi Laboratory, 43° 04’ 26’’ N / 12° 36’ 25’’ E]()
![AMO, Assisi Laboratory, 43° 04’ 26’’ N / 12° 36’ 25’’ E]()
![Bas Princen, The Room of Peace (Siena), 43° 19’ 02’’ N / 11° 19’ 54’’ E]()
![Bas Princen, The Room of Peace (Siena), 43° 19’ 02’’ N / 11° 19’ 54’’ E]()
![Gabriele Mastrigli, Superstudio. The Secret Life of the Continuous Monument, 43° 46’ 19’’ N / 11° 16’ 8’’ E]()
![Gabriele Mastrigli, Superstudio. The Secret Life of the Continuous Monument, 43° 46’ 19’’ N / 11° 16’ 8’’ E]()
![Catharine Rossi, Space Electronic: Then and Now, 43° 46’ 26’’ N / 11° 14’ 47’’ E]()
![Catharine Rossi, Space Electronic: Then and Now, 43° 46’ 26’’ N / 11° 14’ 47’’ E]()
![Matteo Ghidoni, Ground Floor Crisis, 43° 46’ 26’’ N / 11° 15’ 15’’ E]()
![Matteo Ghidoni, Ground Floor Crisis, 43° 46’ 26’’ N / 11° 15’ 15’’ E]()
![Rem Koolhaas, AMO, Charlie Koolhaas, Manuel Orazi, Biblioteca Laurenziana, 43° 46’ 27’’ N / 11° 15’ 14’’ E]()
![Rem Koolhaas, AMO, Charlie Koolhaas, Manuel Orazi, Biblioteca Laurenziana, 43° 46’ 27’’ N / 11° 15’ 14’’ E]()
![Luka Skansi, The Remnants of the Miracle, 43° 53’ 07’’ N / 10° 41’ 10’’ E]()
![Luka Skansi, The Remnants of the Miracle, 43° 53’ 07’’ N / 10° 41’ 10’’ E]()
![Giovanna Silva, Nightswimming: Discotheques in Italy from the 1960s until now, 44° 16’ 38’’ N / 12° 20’ 54’’ E]()
![Giovanna Silva, Nightswimming: Discotheques in Italy from the 1960s until now, 44° 16’ 38’’ N / 12° 20’ 54’’ E]()
![de Gayardon Bureau, Dancing around Ghosts - Milano Marittima’s panem et circenses, 44° 16’ 38’’ N / 12° 20’ 54’’ E]()
![de Gayardon Bureau, Dancing around Ghosts - Milano Marittima’s panem et circenses, 44° 16’ 38’’ N / 12° 20’ 54’’ E]()
![Elena Pirazzoli, Roberto Zancan, Urbs Oblivionalis. Urban Spaces and Terrorism in Italy, 44° 30’ 21’’ N / 11° 20’ 36’’ E]()
![Elena Pirazzoli, Roberto Zancan, Urbs Oblivionalis. Urban Spaces and Terrorism in Italy, 44° 30’ 21’’ N / 11° 20’ 36’’ E]()
![Nicola Russi, The Landscape Has No Rear, 44° 43’ 52’’ N / 10° 37’ 45’’ E]()
![Nicola Russi, The Landscape Has No Rear, 44° 43’ 52’’ N / 10° 37’ 45’’ E]()
![Brendan Cormier and Fabrizio Gallanti, Tortona Stories, 44° 53’ 40’’ N / 08° 51’ 48’’ E]()
![Brendan Cormier and Fabrizio Gallanti, Tortona Stories, 44° 53’ 40’’ N / 08° 51’ 48’’ E]()
![Matilde Cassani, Countryside Worship, 44° 55’ 33’’ N / 09° 54’ 43’’ E]()
![Matilde Cassani, Countryside Worship, 44° 55’ 33’’ N / 09° 54’ 43’’ E]()
![Behemoth (Amir Djalali, Hamed Khosravi, Francesco Marullo), The Architecture of Fulfilment: A Night with a Logistic Worker, 45° 03’ 19���’ N / 09° 26’ 01’’ E]()
![Behemoth (Amir Djalali, Hamed Khosravi, Francesco Marullo), The Architecture of Fulfilment: A Night with a Logistic Worker, 45° 03’ 19���’ N / 09° 26’ 01’’ E]()
![Marco Fusinato, Felicity D Scott, Mark Wasiuta‚ La fine del mondo, 45° 02’ 60’’ N / 07° 40’ 54’’ E]()
![Marco Fusinato, Felicity D Scott, Mark Wasiuta‚ La fine del mondo, 45° 02’ 60’’ N / 07° 40’ 54’’ E]()
![Ramak Fazel, The Business of People, 45° 04’ 11’’ N / 7° 40’ 14’’ E]()
![Ramak Fazel, The Business of People, 45° 04’ 11’’ N / 7° 40’ 14’’ E]()
![l’AUC (François Decoster, Djamel Klouche, Carolin Poulin), Cédric Libert, Thomas Raynaud, 152 Mediterranea, 45° 24’ 27’’ N / 12° 20’ 25’’ E]()
![l’AUC (François Decoster, Djamel Klouche, Carolin Poulin), Cédric Libert, Thomas Raynaud, 152 Mediterranea, 45° 24’ 27’’ N / 12° 20’ 25’’ E]()
![Léa-Catherine Szacka, Effimero: or the Postmodern Italian Condition, 45° 26’ 2’’ N / 12° 21’ 16’’ E]()
![Léa-Catherine Szacka, Effimero: or the Postmodern Italian Condition, 45° 26’ 2’’ N / 12° 21’ 16’’ E]()
![Tommaso Bonaventura, Alessandro Imbriaco, Fabio Severo, Immediate Surroundings. Residences of Italian Mafia Organizations, 45° 27’ 01’’ N / 09° 08’ 52’’ E]()
![Tommaso Bonaventura, Alessandro Imbriaco, Fabio Severo, Immediate Surroundings. Residences of Italian Mafia Organizations, 45° 27’ 01’’ N / 09° 08’ 52’’ E]()
![Beatriz Colomina, Ignacio González Galán, Anna-Maria Meister and Federica Vannucchi with Cristóbal Amunátegui and Alejandro Valdés, Radical Pedagogies. Action-Reaction-Interaction, 45° 28’ 20’’ N / 09° 10’ 24’’ E]()
![Beatriz Colomina, Ignacio González Galán, Anna-Maria Meister and Federica Vannucchi with Cristóbal Amunátegui and Alejandro Valdés, Radical Pedagogies. Action-Reaction-Interaction, 45° 28’ 20’’ N / 09° 10’ 24’’ E]()
![Andrés Jaque/Office for Political Innovation, Sales Oddity. Milano 2 and the Politics of Direct-to-home TV Urbanism, 45° 29’ 56’’ N / 09° 15’ 57’’ E]()
![Andrés Jaque/Office for Political Innovation, Sales Oddity. Milano 2 and the Politics of Direct-to-home TV Urbanism, 45° 29’ 56’’ N / 09° 15’ 57’’ E]()
![Argot ou La Maison Mobile (Luca Astorri, Matteo Poli, Riccardo Balzarotti, Rossella Locatelli), Marco Biraghi, Z! Zingonia, Mon Amour, 45° 35’ 31’’ N / 09° 36’ 21’’ E]()
![Argot ou La Maison Mobile (Luca Astorri, Matteo Poli, Riccardo Balzarotti, Rossella Locatelli), Marco Biraghi, Z! Zingonia, Mon Amour, 45° 35’ 31’’ N / 09° 36’ 21’’ E]()
![Marco Sammicheli, Andrea Dall’Asta, Giuliano Zanchi, Designing the Sacred, 45° 41’ 51’’ N / 09° 40’ 14’’ E]()
![Marco Sammicheli, Andrea Dall’Asta, Giuliano Zanchi, Designing the Sacred, 45° 41’ 51’’ N / 09° 40’ 14’’ E]()
![Folder (Marco Ferrari, Elisa Pasqual), Italian Limes, 46° 45’ 50’’ N / 10° 53’ 20’’ E]()
![Folder (Marco Ferrari, Elisa Pasqual), Italian Limes, 46° 45’ 50’’ N / 10° 53’ 20’’ E]()
![Armin Linke, Alps, 47° 15’ 49’’ N / 11° 23’ 53’’ E]()
![Armin Linke, Alps, 47° 15’ 49’’ N / 11° 23’ 53’’ E]()
Monditalia Weekend Specials
![Networked Politics, DPR Barcelona, Maio, Space Caviar, Folder, Stage C]()
![Networked Politics, DPR Barcelona, Maio, Space Caviar, Folder, Stage C]()
![Networked Politics, DPR Barcelona, Maio, Space Caviar, Folder, Stage C]()
![Networked Politics, DPR Barcelona, Maio, Space Caviar, Folder, Stage C]()
![Excavating the Sky film screening, Khaled Malas, Stage D]()
![Excavating the Sky film screening, Khaled Malas, Stage D]()
![Excavating the Sky, Khaled Malas, Stage D]()
![Excavating the Sky, Khaled Malas, Stage D]()
![Excavating the Sky, Khaled Malas, Stage D]()
![Excavating the Sky, Khaled Malas, Stage D]()
![Notte Italiana debate, Zero Magazine, Stage D]()
![Notte Italiana debate, Zero Magazine, Stage D]()
![Notte Italiana debate, Zero Magazine, Stage D]()
![Notte Italiana debate, Zero Magazine, Stage D]()
![Notte Italiana, Zero Magazine, Stage D]()
![Notte Italiana, Zero Magazine, Stage D]()
![State of Exception, Spacelab, Stage D]()
![State of Exception, Spacelab, Stage D]()
![State of Exception, Spacelab, Stage D]()
![State of Exception, Spacelab, Stage D]()
![The Maker Gene, Arduino, Stage E]()
![The Maker Gene, Arduino, Stage E]()
![The Maker Gene, Arduino, Stage E]()
![The Maker Gene, Arduino, Stage E]()
![Peninsula Hotel, Humboldt Books, Stage E]()
![Peninsula Hotel, Humboldt Books, Stage E]()
![Peninsula Hotel, Humboldt Books, Stage E]()
![Peninsula Hotel, Humboldt Books, Stage E]()
![New Narrative for Europe, Stefano Boeri, Stage E]()
![New Narrative for Europe, Stefano Boeri, Stage E]()
![New Narrative for Europe, Stefano Boeri, Stage E]()
![New Narrative for Europe, Stefano Boeri, Stage E]()
![Fundamentals final debate, Stage F]()
![Fundamentals final debate, Stage F]()
![Fundamentals final debate, Stage F]()
![Fundamentals final debate, Stage F]()















































































































































































































































































































